Showing posts with label Lisson Gallery. Show all posts
Showing posts with label Lisson Gallery. Show all posts

Thursday, 14 June 2018

Richard Long: Circle to Circle - Lisson Gallery

Richard Long, Flint Wheel (2008) and Measuring Consecutive and Alternating Events
Richard Long: Circle to Circle is at Lisson Gallery until 23 June, 2018
From the Lisson Gallery website:
"I can make a circle of words, I can make a circle of stones, I can make a circle of mud with my hands on a wall, I can walk in a circle for one hundred miles. It is a completely adaptable image and form and system."                                        Richard Long, 1988

A large new floor-based stone circle, Flint Wheel (2018) is at the centre of Richard Long’s latest exhibition in London, 'Circle to Circle, which is loosely themed around different uses of the circular motif across his practice. Constructed from knapped or split Norfolk flint, the stones radiate out from a central nexus like spokes on a wheel, alternating in tone between the chalky white exterior and each flint’s darker core. This geometric, starburst pattern refers back to previous works by Long, such as Paddy-Field Chaff Circle (2003), a temporary circle of radial lines made on Warli tribal land in the Maharastra district of India, while the sculpture’s material relates to a recent flint and slate circle, North South East West (2017) made for his major exhibition at Houghton Hall last year.
Echoing this will be a new River Avon crescent mud work, created by the artist directly onto the wall at the gallery. A round shape, this work will be bisected by a sweep of marks tracking Long’s gestural movements as he applies viscous mud to the surface with the resultant splashes and drips appearing below. A text work, titled From Circle to Circle From Space to Earth (2002) made after a continuous walk of 39 miles from a full moonrise to the sunrise, is also a poetic description of one night in the planet’s constant state of revolution.
(Read full text here.)
Richard Long, From Circle to Circle From Space to Earth, 2002
Richard Long, Gravity Crescent, Flint Wheel and Measuring Consecutive and Alternating Events
Richard Long, Gravity Crescent
 Watch (very) short video of Long creating Gravity Crescent

Saturday, 9 June 2018

Mary Corse - Lisson Gallery


Mary Corse, Untitled (Multiband with White Sides, Beveled), 2017 (Glass microspheres in acrylic on canvas)
Mary Corse is at Lisson Gallery until 23 June
From the Lisson Gallery website:
For her first major solo show in the UK, Mary Corse presents new and historically significant work at her inaugural exhibition at Lisson Gallery, London. Based in Los Angeles, Corse has built a practice that occupies an independent space at the intersection of minimalist painting, Abstract Expressionism and scientific inquiry. Obsessively engaging with light and perception, Corse’s paintings embody rather than merely represent light, experimenting with the concept of subjective experience in new and innovative ways. From lightboxes to painting embedded with materials that refract light, Corse combines a philosophical quest for the portrayal of the infinite with a highly skilled methodical and scientific rigour.
Lisson Gallery’s exhibition will feature ten works, including seven new works created specifically for the show. The presentation will include a selection from Corse's White Black White and White Inner Band painting series, alongside a new lightbox - with works spanning from 2003 to 2018.
(Read full text here.)
Mary Corse, Installation View, Lisson Gallery
Mary Corse, Installation View, Lisson Gallery
Mary Corse, Installation View, Lisson Gallery
Mary Corse, Untitled (Multiband with White Sides, Beveled), 2017 (Glass microspheres in acrylic on canvas)
Mary Corse, Installation View, Lisson Gallery
Mary Corse, Untitled (Electric Light) (1968/2017)
More on Mary Corse
Mary Corse: A Survey in Light, Whitney Museum of American Art, 8 June-25 November 2018
MaryCorse - Wikipedia
Hilarie M. Sheets, "Quantum Leap for Mary Corse as clutch of shows brings overdue recognition", The Art Newspaper, 4 May 2018