![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhitaFjaOxk2suPnGoW5SdLsAnC6VNPieZll9sMMhrs51FMBsc6o8X32tH3F9t5Z17F2Qh7Idvci4HLIdXhhSEkfgMj-8rXF7rLxV-g3gIf9X0AHvufbkK34R5n2C_4pbcoCNtC9qQlYcI/s640/CKA_DJU_RMO_install_Crossroads_SM_London_2018_06-720x575.jpg) |
Crossroads:
Kauffman, Judd and Morris, Sprüth Magers, installation view |
Exhibitions Noticeboard – top 5 shows 2018
I missed so many shows that I wanted to see, this year – however,
I did see some great ones. My top 5 (in chronological order of opening) are:
-
Crossroads: Kauffman, Judd and Morris (Sprüth Magers, 19 January – 31 March 2018)
-
Picasso 1932 – Love, Fame, Tragedy (Tate Modern,
8 March – 9 September 2018)
-
Bernard Frize: Blackout in the Grid (Simon Lee,
17 May – 30 June 2018)
-
Patrick Heron (Tate St Ives, 19 May – 30 September
2018)
-
Albert Irvin and Abstract Expressionism (RWA, 8
December 2018 – 3 March 2019)
Pictures below.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPlljXtylz9Kj2NHt-zAntVU1-dRdlxKL0cHjmX7wkfJkTj-akYlaS0eQe2Og2n3RQvay_lnax-9TUhIC47JeFoqAcPAvZICMdDh8rwzOHwdq7VEPNTUl9N5Dp7jQ9vEPiP0mPUbaj9b4/s640/ex464_00018.jpg) |
Crossroads:
Kauffman, Judd and Morris, Sprüth Magers, installation view |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjtNRnsidwFgjyR9N5EicLjrJY6S0Tawlq21d7kb7Htdg6_ij6c5mfVwLT69ZAx1UzEGCSAzSi1b-mBafQ10OVqSLxvWqm5uNoxnpWGXQZEpUSf2cXH_ChVc7cA3AOfZtWXkbbRRPv7j0/s640/methode_sundaytimes_prod_web_bin_358941c0-fb87-11e7-9455-432f4ff19004.jpg) |
Craig Kauffman, Untitled, 1967 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP0CyyyVDTs87rtII-P_PWdF3UAiEMmZxm-l5HDPtfZabE0cIH68W3QNf_mxpXY96FOWH3ArrOubun_3glyQpqKGt46Mnc9GpI-5bo0ryz3P8QTJeaoEUCR028Ri3M_5Aldjs6TMIHdGY/s640/Woman+on+the+Beach+%2528Nu+sur+la+plage%2529+1932Woman+on+the+Beach%252C+1932.jpg) |
Pablo Picasso, Woman on the Beach (Nu sur la plage), 1932 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3s2LZC_IUlH730p0yEf3GQMwcWeGo73EummEntyyzDd2z_XpTOy3t2IpA9qF5StG36VSAPv9a3f8HUoltCgtMx1J8TuTDYko-CyJiAJ2Vrs2rrRxmvy1kZKsbW23XqGfQLQ6xhswTTes/s640/Girl+before+a+Mirror+%2528Jeune+fille+devant+un+miroir%2529+1932+Girl+Before+a+Mirror+%2528Boisgeloup%252C+March+1932%2529.jpg) |
Pablo Picasso, Girl before a Mirror (Jeune fille devant un miroir), 1932 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOJ_u5T1wf6FgabswnGVVG2Xtsd3-d5xegMhwEoZWlmcB9VAQZrjJPtrd-GXlgUE-awWeo4dPTWDL1DHtDm7eTAibtB-SKgB0UxlcCldbxuXp31ia4r4wolcThMVenP7IhNz9tWoCgAdc/s640/Nude+in+a+Black+Armchair+%2528Nu+au+fauteuil+noir%2529+1932.jpg) |
Pablo Picaso, Nude in a Black Armchair (Nu au fauteuil noir), 1932 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8k09ox-KrV1zTT4AmYjU7Y1fsmrs2rIKsmINSVbb5PtsKpCjyKVCTeiN6IAV9bNjhoiiHtikH0mbJXdhUkZhrHYVgHtfSKgTWwKHaYlqspofyyI81Di_8MRNwzpfVis7aOQUsJavQBQw/s640/The+Dream+%2528Le+R%25C3%25AAve%2529+1932.jpg) |
Pablo Picasso, The Dream (Le Rêve), 1932 |
Bernard Frize: Blackout in the Grid (Simon Lee,
17 May – 30 June 2018)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUsHvCMQBmj8LkhHGzCJpta_9x_XSqmto7epAAS9EZpri4iE7r66POEVTDaEewzObBH5yQIRekzt0m-OJMOm38ph84kDm9tO4EbwytkFXMOklRYLIbR7quJzQ9JSEsyFTss1UDi47ECAk/s640/dc28cf2f870ea7f930df7b0577a8be51j.jpg) |
Bernard Frize, Vatu, 2018 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrGOdOahtF3PZ0pelBYzRe4XM1az7Nwjxoc9qTJ7HHllG5djzXRc5hIBDBRhn-SK8pUe4c9tR-FVJj_Cpe9TvIKXXSxk9cU6_immYUf8TEFtUbveDdGEgYvJ-0IEh6PPhtNvxSSXL92pE/s640/e8fe3d8513003af055175b50ed70ae65j.jpg) |
Bernard Frize, Session, 1999 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW28WV909tfTZa5NZxfGZZBJuWpURmlNY1MVpoicdqKU6IpKdnaScxcMIHwDOeq9q7hzuqFlSXmV3ygJHSyo3Mv8oZvr9N6BIXHJQJb-tkM7p8Q6szjM27oQoD5g0WJR4uqlTvzXB_a3o/s640/ef0c9252e6b2347864a56e5c19408d72j.jpg) |
Bernard Frize, Levet, 2017 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKgh6dBOy-AJA-eKcZLsKRoD5699L4Xdv9zlgGjDLdG9i36xi8euQAUP1WrnnjxVUbguXODFK5uwV7axf3w8PKJXPvCWuAGPcD2dUrGcmEhEmaAj5HzjUslEdwmh42hREsz8iqcUqomws/s640/534ea6115ba89b801d39a9bc9a34c537j+2.jpg) |
Bernard Frize, Wir, 2018 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijBxlnXuugRoN0BW6EP3O1zo5xa_QZ5Fx4vKaVHF2kO593VzW_ODASciwhYySP_4IKNz3d3PMrsbwGJ7QZq_FH2jTWU-nQt-UcKWmt5qGcFcH2JdDjf2XeDGSs4PcWE_-JtmMMyuYEhhg/s640/Cadmium+With+Violet%252C+Scarlet%252C+Emerald%252C+Lemon+and+Venetian+1969.jpg) |
Patrick Heron, Cadmium with Violet, Scarlet, Emerald, Lemon and Venetian: 1969,
1969 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN9MckW1YMg-pmG3ErhiG-R5KwEYGoeestoNlld0UxHHGLWOfR-2s5vhRNuu7QUdMFKpVdVBOJ-HTV9ArA8SZXdVumHPIvOC6cdk9MHYakt4QFAAmI2DZW0HB-oHrggHV3C9CKbZjJ6dg/s640/atrick+Heron+Interior+with+Garden+Window+1955+1955.jpg) |
Patrick Heron, Interior with Garden Window: 1955, 1955
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhucL13-RAGIA-V-KWQ8RJRWTC5_quN9kPMWPnJ8NAWLycRtGrJaD2jtM5O2UJGbO3mwN3yIvVc_JbvvoiI97c_x9rR3_7p1wuIlhstBmuIHQqh-qbwKCZJ7lxQ_ekXyRhRvoazrIpyQko/s640/%25E2%2580%2598Green+and+Mauve+Horizontals%25E2%2580%2599+%25281958%2529.jpg) |
Patrick Heron, Green and Mauve Horizontals: January 1958, 1958 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirRufeweeb-2-0D5y-fn2fuD-AY6qFU2EdHzcqyF33hjC632T08LaudZUii02A3ARSoX_fyeYp8tmwAiON5AWoqPs-x60s5DSIfgyrYYCcMdCX6Qd_6fXc2rpMYHlntxRumpDVxaaxEKs/s640/Patrick+Heron%252C+Five+Discs+1963+1963..jpg) |
Patrick Heron, Five Discs: 1963, 1963 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuTuZUwA2qDsb7K_gW6Dktfwku_hKI2-bpeQf1xdxFYWKaVjfDMHnRaSejccLDUfSPJ9Ii-23qwOxNWWflPn6aXm7jjcPLPc8e1bVsSN3tASTRLwwdQ1zd3KWho8LMV1CbJBTtGUUiR2s/s640/Square+Green+With+Orange%252C+Violet+and+Lemon+1969.jpg) |
Patrick Heron, Square Green with Orange, Violet and Lemon: 1969, 1969
Square Green with Orange, Violet and Lemon: 1969.
Read more at: https://inews.co.uk/culture/patrick-heron-retrospective-tate-st-ives-delights-matisse/
Square Green with Orange, Violet and Lemon: 1969.
Read more at: https://inews.co.uk/culture/patrick-heron-retrospective-tate-st-ives-delights-matisse/
|
Albert Irvin and Abstract Expressionism (RWA, 8
December 2018 – 3 March 2019
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi11wN0zU6-F5Qd0boleaIJNdv_HPIleEEdbRJg7klg2xRBq7DSmLq0s0EgXnvonB5r9U1wTronUPY1TwwiccUTgw4LZUq9VBrPUDrc25um_sgwnJHY5YrEXywvqGMIShjeYFfHAA2l9wg/s640/Albert+Irvin%252C+Kestrel%252C+1981.jpg) |
Albert Irvin, Kestrel, 1981 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrZwF2OgePXiQBJXUGMImGUhgrBOt_rrOctbIVmLOlEK-X0z0CGUyzI5CrEe2jAyYuCH6fsEs07oH4XGTd-h7iLCcwiX_-IVq4gSEnc4obgi1D4qN5aEIE_1ZcVAwlyhpohJCSW2x0k50/s640/Albert+Irvin%252C+Hands+on+Piano+Keys+2%252C+c1955.jpg) |
Albert Irvin, Hands on Piano Keys 2, c1955 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFJ9UpQbtzRha0EoqDoCBgK54TDaWnQ_FJtWsLSqHgZ2S73k0sCv9fQSm5rgiCqubvAly3Q-AIPvN7fJ_nP-8J-yEJ6Qp4aGwpUz3voRWXzhYDO_oXD_Qj2RsxuXglkviDs68Wra16ubc/s640/Jackson+Pollock%252C+Yellow+Islands%252C+1952.jpg) |
Jackson Pollock, Yellow Islands, 1952 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6WTYonDVUyQAK-uCQxl40HDZ248qOcIsj_aq7n7uAK7699JIXNuI1LDhlEyuNqPXyHFyyKmgGXz6gRj__mefG_-NlkONqD37YndL53vKMLTTTpkal-jy172PJzU2zyoe7IGWp1_1ALVY/s640/Albert+Irvin%252C+Sky%252C+c1960.jpg) |
Albert Irvin, Sky, c1960 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn51PEtaFkPMwcTni_l_knMZbnbWQfTk8voF15PerprbO1GJUdjBOjUnFmQ_Xk8-L84-U9hI4FaELLiKEbqCjEqMJPEGspcnqCIsdH8eWRTU9V04Kxmh6cLFNMCZGp3d6Qf74V8JRU_QE/s640/Albert+Irvin%252C+Black+Moves%252C+1964.jpg) |
Albert Irvin, Black Moves, 1964 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK_V8jqAj2I8CEnAzRM8sJrhoc-3TLayxdgZ4Cj9RGUT0MkrLUWSwrEWGiHCaKJ3nv3c_OiE82BqC4oTaTOCOc7ZUN-wYgwuBSnondBKu-LjldAU6Rhxc-xmpBqI6x9QxEIQj-d5pONXY/s640/Albert+Irvin%252C+Almada%252C+1985.jpg) |
Albert Irvin, Almada, 1985 |
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