Wednesday, 6 June 2018

America's Cool Modernism - Ashmolean Museum, Oxford

Charles Demuth, I Saw the Figure 5 in Gold, 1928
The Great Figure
Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
with weight and urgency
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city
(William Carlos Williams)
America's Cool Modernism is at the Ashmolean Museum until 22 July, 2018
From the Ashmolean website:
This is the first exhibition to explore the 'cool' in American art in the early 20th century, from early experiments in abstraction by artists like Georgia O’Keeffe, Arthur Dove and Paul Strand to the strict, clean precisionist paintings of Charles Sheeler and Charles Demuth. 
In the Jazz Age of the ‘roaring’ 20s, and the ensuing Great Depression of the 30s, many American artists expressed their uncertainty about the rapid modernisation and urbanisation of their country by producing work that had a cool, controlled detachment and a smooth, precise finish.
This exhibition brings together some of the greatest works ever made by American artists – iconic pieces which reveal this fascinating aspect of American interwar art.
(See links to reviews below images.)
Charles Demuth, Nospmas. M. Egiap Nospmas. M., 1921
Stuart Davis, Odol, 1924
George Josimovich, Illinois Central, 1927
Edward Hopper, Manhattan Bridge Loop, 1928
Gordon Coster, Pittsburgh, c.1930
Samuel L. Margolies, Man's Canyon, 1936
Charles Sheeler, Water, 1945
Reviews
Laura Cumming (The Observer)
Waldemar Januszczak (blog/Sunday Times)
Alastair Sooke (The Telegraph
Emily Spicer (Studio International)
Jonathan Jones (The Guardian)

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