Charles Demuth, I Saw the Figure 5 in Gold, 1928 |
The Great Figure
Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
with weight and urgency
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city
(William Carlos Williams)
America's
Cool Modernism is at the Ashmolean Museum
until 22 July, 2018
From the
Ashmolean website:
This is
the first exhibition to explore the 'cool' in American art in the early
20th century, from early experiments in abstraction by artists like Georgia
O’Keeffe, Arthur Dove and Paul Strand to the strict, clean precisionist
paintings of Charles Sheeler and Charles Demuth.
In the
Jazz Age of the ‘roaring’ 20s, and the ensuing Great Depression of the 30s,
many American artists expressed their uncertainty about the rapid modernisation
and urbanisation of their country by producing work that had a cool, controlled
detachment and a smooth, precise finish.
This
exhibition brings together some of the greatest works ever made by American
artists – iconic pieces which reveal this fascinating aspect of American
interwar art.
(See links to reviews below images.)
Charles Demuth, Nospmas. M. Egiap Nospmas. M., 1921 |
Stuart Davis, Odol, 1924 |
Edward Hopper, Manhattan Bridge Loop, 1928 |
Gordon Coster, Pittsburgh, c.1930 |
Samuel L. Margolies, Man's Canyon, 1936 |
Charles Sheeler, Water, 1945 |
Reviews
Laura Cumming (The Observer)
Waldemar Januszczak (blog/Sunday Times)
Alastair Sooke (The Telegraph)
Emily Spicer (Studio International)
Jonathan Jones (The Guardian)
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